Counterpoint based on eighteenth century practice

An update eighteenthcentury music 152, cambridge university press, 2018, is. In lutheran music of the sixteenth to eighteenth centuries, a musical setting based on a biblical narrative. Finally, and most importantly, there was the middle path. Skips through triads and 7th chords, which are rare or even forbidden in 16th century writing, can be used with fewer problems in 18th century counterpoint. Designed for courses in music, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual. The orientation is strongly stylistic, dealing mainly with the polyphony of the late baroque period.

Syllabus harmony and counterpoint i music and theater. Counterpoint kontrapunkt in the original german is the second volume of heinrich schenkers new musical theories and fantasies the first is harmony and the third is free composition. The focus on stylistic over dramaturgical, aesthetic, or ideological issues is important, for german musicians not only ignored many of the ethical concerns that fuelled the querelle in france, but they also mixed and matched its schemata more freely. This is a solid introduction to 18th century counterpoint i. While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual writing of contrapuntal examples. Counterpoint based on eighteenth century practice download counterpoint based on eighteenth century practice ebook pdf or read online books in pdf, epub, and mobi format. It was published by pearson and has a total of 312 pages in the book. Whats the difference between sixteenth century counterpoint. The study of counterpoint from johann joseph fuxs gradus ad parnassum.

It does not cover the strict vocal 17th century counterpoint. Harmony that arises is purely secondary and mostly non functional. Monteverdis term for a practice of counterpoint and composition that allows the rules of sixteenthcentury counterpoint the prima pratica to be broken in order to express the feelings of a text. Class attendance is mandatory and monitored according to the following schedule. Tonal counterpoint in the style of the eighteenth century.

Based on eighteenthcentury practice kennan, kent wheeler on. Kent wheeler kennan designed for courses in music, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. The subject matter of the work is species counterpoint. His research, which, among others, resulted in a phd and the publication of his book johann sebastian bachs art of fugueperformance practice based on german eighteenthcentury theory leuven university press, 20 and his article on fedele fenarolis pedagogy. This book is easy to understand, comprehensive, and distinctly modern in its approach to the study of counterpoint. It is divided into two books, the first published in 1910, and the second in 1922. What is different between fux 1st species counterpoint and. As van tour reminds us in his introduction, salas pardmend exhibit a style which, by the end of the eighteenth century, was held to be too complex and too oldfashioned 1. These forms are usually seen as very strict, but kennan discusses exceptions usually by bach giving an appropriate sense of the degree of fluidity these techniques had in practice.

A practical approach to 18th century counterpoint, revised edition. Where thomasius castigated the fear of witches and the lingering practice of witch trials as superstitious and ignorant, mattheson and telemann found superstition and ignorance in the metaphysics of counterpoint and the practice of learned canons. Ross 16th century counterpoint rules primarily based on knud jeppesens counterpoint twopart counterpoint p reamble knud jeppesens counterpoint contains a wealth of information on writing vocal polyphony in the palestrina style. This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century.

The musical strands of the querelle furnished german musicians with a clear notion of stylistic models. In this subject we will study the basic harmonic, melodic, and formal practices of western music, principally the classical music of central europe during the eighteenth century. Skips through triads and 7th chords, which are rare or even forbidden in 16thcentury writing, can be used with fewer. The academic study of counterpoint was long based on gradus ad parnassum 1725, tr. Counterpoint punctum contra punctum point against point note against note. Young composers of the eighteenth and nineteenth centuries, such as mozart, beethoven, and schumann, were still educated in the style of strict counterpoint, but in practice, they would look for ways to expand on the traditional concepts of the subject. Counterpoint by kent kennan 1987, hardcover for sale online. This book covers counterpoint in the style of johann sebastian bach. If the question is more general the difference between 16th and 18th century counterpoint there are two main differences.

Counterpoint 4th edition by kent kennan 9780807465. Counterpoint article about counterpoint by the free. Book i is concerned with the construction of the cantus. Special devices as applied to the the scholastic fugue.

The earliest examples of actual written counterpoint appear in the late 9thcentury treatise musica enchiriadis. He depends more on examples than words to provide this is a solid introduction to 18th century counterpoint i. K53 1998 course grade components attendance and participation 15% weekly assignments 35% canon 10% invention 10% presentation paper 15% final project fugue exposition 15%. The term derives from the latin for point against point, meaning note against note in referring to the notation of plainsong plainsong or plainchant, the unharmonized chant of the medieval christian liturgies in europe and the middle east. Here a plainchant melody, or principal voice vox principalis, is combined with another part, organal voice vox organalis, singing the same melody in parallel motion a perfect fourth or fifth below e. Those willing to contend with these complexides will be rewarded with illuminating new per spectives on eighteenth century composition. Melodic writing in 18th century counterpoint as opposed to 16th century, instrumental possibilities come to the fore. Waveland press a practical approach to 18th century. In tonal counterpoint for the 21st century musician, teresa davidian finally provides students a textbook that is quick, direct, and visuala direct reflection of the age in which they live. Free counterpoint article about free counterpoint by the. Analysis of contrapuntal music of the seventeenth and. If you want to learn how to write polyphonic pieces in this style of music, this is the book. Contrapuntal motion flashcards from irina soloshenkos class online, or in brainscapes iphone or android app.

Based on eighteenthcentury practice 3rd edition by kent wheeler kennan hardcover, 96 pages, published 1987. This section explores the wonderful world of counterpoint. A remarkable number of salas partimenti are based on a single. The principles and practice of tonal counterpoint is a comprehensive textbook that combines practical, howto guidance in 18thcentury techniques with extensive historical examination of contrapuntal works and genres. This work formulates the study of counterpoint into five speciesnote against note, two notes against one, four notes against one, syncopation, and florid counterpoint, which combines. Music composition students will generally take a semester of species counterpoint which covers the 16th century practice and then take counterpoint which covers the 18th. You are on the right track in thinking that sixteenth century counterpoint melody or modal based as this answer suggests and eighteenth century counterpoint harmony based. It has been most commonly identified in the european classical tradition, strongly developing during the renaissance and in much of the common practice period, especially in the baroque. Based on eighteenthcentury practice by kennan, kent wheeler counterpoint.

Topics will include diatonic harmony, simple counterpoint in two parts, and tones of figuration. The title of this book is counterpoint 4th edition and it was written by kent kennan. Click download or read online button to counterpoint based on eighteenth century practice book pdf for free now. Music 3106 3 clark ross s econd s pecies two halfnotes against each c. Based on eighteenthcentury practice edition 3 available in hardcover. A practical approach to eighteenthcentury counterpoint. Counterpoint by kent kennan 1987, hardcover for sale. In tonal counterpoint for the 21stcentury musician, teresa davidian finally provides students a textbook that is quick, direct, and visuala direct reflection of the age in which they live. This book is easy to understand, comprehensive, and distinctly modern in.

In music, counterpoint is the relationship between voices which are harmonically interdependent yet independent in rhythm and contour. The rule concerning consecutive skips in the same direction, or any combination of steps and skips in the same. Performance practice based on german eighteenthcentury theory leuven. Writingfirst of exercises using a free species approach, then of music involving the forms or techniques studied e. Monteverdis early seventeenthcentury harmonic progressions. But avoid asking for help, clarification, or responding to other answers. No repetitions of notes in this or any remaining species its fine in free counterpoint with text.